Size Large - Spaceways Inc.

Today's selection is from a now defunct contemporary free-jazz trio that really knows how to lay down a groove...

Size Large - Spaceways Inc. - Altavistic



Drummer Hamid Drake, bassist Nate McBride, and reeds-man Ken Vandermark assembled into the trio known as Spaceways Inc. in 1999, after Vandermark had previously worked with each on a variety of different projects in Chicago and Boston. Taken from Ken Vandermark's website, "The initial version of the project focused on the work of George Clinton's Funkadelic and Sun Ra's various ensembles. Spaceways took those ideas about funk and free jazz and brought them someplace new on the album 13 Cosmic Standards (Atavistic, 2000). During a tour of Austria in the Spring of 2001, the trio talked about further developing the stylistic polarities suggested by the pieces of Clinton and Ra by applying them to compositions of their own. Spaceways followed though on this idea with the work recorded in August 2001 for the cd, Version Soul (Atavistic, 2002). This document expands on the hard funk/free jazz intersection of the first record and includes elements of reggae, "cool school" jazz, Southern back beats, and "new music" abstractions.

Today's selection certainly encompasses all of these elements into a seriously funky groove. Size Large starts off with Hamid Drake laying down the backbeat while Vandermark introduces a saxophone groove that will re-emerge time and again throughout the track. Drake then provides a size-large break that really sets the tone for the rest of the song. At the culmination of the mighty break, Vandermark re-emerges to intermittently return to the original groove while also stretching out in a number of equally funky directions. Throughout this time, the rhythm work of Drake is supported by solid upright work intermixed with sparse feedback/noise from McBride that really aids in pushing the sound of the trio out. This is all, of course, before McBride and Drake tighten things up again with solid rhythm work that allows Vandermark to really get down through the end of the track.

*Today's selection was taken from a CD only release, so don't bother digging in the crates for it.

Bag of Goodies - The Soul Machine

In the midst of what feels (at least in the Midwest) like the first real week of fall, I figured I’d try to brighten the mood with a real jazz-funk groover…

Bag of Goodies - The Soul Machine - Pzazz



There isn’t a whole lot of information about The Soul Machine out there. What I can tell you is that this side, which was written by Leon Haywood (a session musician and writer who played on The Packers, Hole in the Wall), was released on Paul Gayden’s (yet another N.O.L.A. songman) Pzazz label (which advertised itself under the slogan, “Put some pzazz in your jazz”) in 1969. The track prominently features a wailing saxophone, tightly snapping drums (don't miss the break near the end of the track), and an organ groove that’s sure to pull anyone in (maybe played by Haywood himself?*).

P.S. Be sure to tune back in Friday as Vincent the Soul Chef from FuFu Stew is whipping up one of his culinary delights for your listening pleasure as the next installment of the Trunk of F.U.N.K. guest mix series.

*This is pure speculation on my part, as Haywood was known as a pianist/organist in his early days in L.A.

Baby, Do Right By Me

For your listening pleasure, I've assembled a mix featuring some of my all-time favorite soul sister sides. The mix starts off with a heavy soul number from Roberta Flack, taken from her 1970 album, Chapter Two. Aside from her stunning voice, this album strongly benefits from arrangement and production work by a number of heavy hitters, including King Curtis, Deodato, and Eugene McDaniels (who is also credited with writing this particular track). Next up is a track from Marva Whitney that has been a personal favorite of mine for a long time, as her LP, It's My Thing, is one of my earliest soul sister purchases (this track was released as both a single and on the LP, It's My Thing. This is the LP version, as I've never been able to get my hands on the single). Jean Knight, most well-known for song, Mr. Big Stuff, then follows up with a recent acquisition that is seriously funky and was the inspriration for the title of today's mix. The Sister and Brothers then provide another few minutes of funky madness (thanks for the hot tip, Pres) that has also recently made an appearance in a FuFu stew creation from Vincent the Soul Chef. From there, the mix moves to a pair of funky classics from Jeannie Reynolds and Betty Wright that don't need a whole lot of introduction, followed by a great piece of Motown sound from Honey Cone, that was penned by none other than General Johnson (I can assure you that this name will pop up here in the future). Ike and Tina Turner then turn out the quintessential funky sister side, a side that easily falls within my all-time top ten, that's an insanely heavy adaptation of Sly and the Family Stone's, Sing a Simple Song. To start rounding things out, Inez and Charlie Foxx bring things back to the soulful end of the spectrum, and Bobbi Humprey serves up a nice slice of jazzy funk from her days working with producer George Butler (pre-Larry Mizell) to finish out the mix.


Baby, Do Right By Me - Trunk of F.U.N.K. vol. 007

Tracklist

Song - Artist - Label

Roberta Flack – Reverend Lee – Atlantic
Marva Whitney – Get Out of My Life – King
Jean Knight – Jesse Joe (You Got to Go) – Dial
The Sister and Brothers – Yeah, You Right – Uni
Jeannie Reynolds – The Phones Been Jumping All Day – Casablanca
Betty Wright – Clean Up Woman - Alston
Honey Cone – Stick Up – Hot Wax
Ike and Tina Turner – Bold Soul Sister – Blue Thumb
Inez and Charlie Foxx – (1-2-3-4-5-6-7) Count the Days – Dynamo
Bobbi Humphrey – Smiling Faces Sometimes* – Blue Note

*R.I.P. Norman Whitfield. When I put this mix and post together last week it was prior to finding out about his passing. When I looked over this post last night before posting it, I had totally overlooked the fact that the mix closed out with Bobbi Humprhey's cover of Norman Whitfield's classic, Smiling Faces Sometimes (originally recorded by The Temptations). This is really an unfortunate coincidence, but nonetheless an appropriate tribute to one of the all-time great soul songwriters.

Easy Evil - Merl Saunders

Since Trunk of F.U.N.K. is coming to you from the Bay Area rather than the usual stomping grounds in the Midwest this week, it seemed only appropriate to highlight a funky single from an artist who calls San Francisco home.

Easy Evil - Merl Saunders - Fantasy



Merl Saunders has been working the keys for the better part of his life, beginning with the piano at age 10 and continuing on until just a few years ago. Throughout junior high, Saunders played in a band with his classmate Johnny Mathis (who would also have a notable career as a musician), at which time he made the decision to pursue a career in music. His biography indicates that the decision to pursue a career in music was centered around the energy of the audience and musicians Saunders felt at concerts by jazz greats such as Cab Calloway. Shortly after this time, Saunders attended a number of different music schools, and also apprenticed under “the greatest Hammond jazz organist of all-time” Jimmy Smith. In the late ‘60s and early ‘70s, Saunders began collaborating with Jerry Garcia of the Grateful Dead, while also pursuing a career as a jazz keyboardist, adopting the Hammond B3 as his instrument of choice. In the early ‘70s he also lead his own group, Merl Saunders and Friends, with the “friends” encompassing a staggering array of musicians, such as Jerry Garcia, Tom Fogerty, Mike Bloomfield, and Shiela E. Saunders’ work in collaboration with Jerry Garcia would continue from the early 70s until the release of the album, Blues From the Rainforest, in 1990.

Today’s selection comes from Merl Saunders’ self-titled album released on Fantasy in 1974. The track was written by Alan O’Day, and features Saunders on clavinet and electric piano, Billy Fender on guitar, Bill Upchurch on bass, Jimmy Nelson on drums, and King Errisson on congas. Although not highlighted in today’s post, this same record contains a longer, alternate take of the nicely funky Hammond 45 from Merl Saunders and Heavy Turbulence entitled, A Little Bit of Righteousness*, which was released on the Galaxy label a few years earlier in 1970**.

I've recently been making my way over to the site AM, then FM, and I highly recommend you do the same. Aside from holding it down in the land of beer and cheese with yours truly, Jeff does some mighty fine work.

Be sure to tune in Friday for an all new mix featuring nothing but bold soul sisters laying it all out.

*On the 1974 s/t album, the title has been shortened to Righteousness. The track, A Little Bit of Righteousness, also appears on the album, Keepers, released in 1997.

**This 45 recently appeared in Funky16Corners radio vol. 53 for any listeners interested in checking it out.

Music is the Message

Another mix is in the can, so here it is for your listening pleasure...

This week's funky workout starts with a stormer from The Pharaohs, a group out of the Windy City who worked closely in a mentor-protege type role with the Pieces of Peace, a group who would be responsible for backing some of the greatest funk tracks to ever come out of Chicago. From there we move to the b-boy tested, beat-head approved funky instrumental of Grandmaster Flash and the Furious Five's all-time classic, The Message, from Mighty Mo and the Winchester Seven, followed by a Hammond monster that is quite possibly the quintessntial funky organ groover of all time, brought to you by none other than Brother Jack McDuff. Up next is a track from Lloyd Price that is guaranteed to get any dance floor cooking, while killer work from the Counts will definitely keep bodies moving. From there things get a little more emotional, with a classic break served up by Tom Jones in a joint about love lost, followed by a fantastic instrumental version of Bill Withers', Ain't No Sunshine, by Eddy Senay. The Incredible Bongo Band then picks up the pace with some incredible percussion work, a groovy synth line, and punchy horns that sound like they're straight out of a 70's action film. Black Heat then keeps things rolling with a similar style of synth heavy jamming chock full of stabbing horns and solid rhythm work to help set the tone for the rest of the mix. In the end, Little Sister rounds things out with a groovy number with a deep, rolling bassline assembled by none other than Sly Stone.


Trunk of F.U.N.K. vol. 006 - Music is the Message

Tracklist

Song - Artist - Label

Is That Black Enough For You? - The Pharaohs - Capitol
The Message - Mighty Mo and the Winchester Seven - Peace St.
Hunk O' Funk - Brother Jack McDuff - Blue Note
They Get Down - Lloyd Price - GSF
Funk - Counts - Aware
Looking Out My Window - Tom Jones - Parrot
Ain't No Sunshine - Eddy Senay - Sussex
Ohkey Dokey - Incredible Bongo Band - Pride
No Time To Burn - Black Heat - Atlantic
You're the One pt. 1 - Little Sister - Stone Flower

P.S. Be sure to check back in Monday for an all-new single.

A Mind Wandering

Ahhhh... another two weeks have passed already. Honestly, I couldn't believe it when I realized that a new mix was scheduled for this week. Although things have calmed down a good bit over the last few weeks, it still seems like time is just flying by lately. This week's mix is inspired by my desire to kick back, relax, and enjoy a mental break from the daily routine. I'm sure that regulars here will notice that, despite including roughly the same number of tracks as vol. 1-3, this week's mix is a good bit longer than usual, clocking in at about 50 minutes. While perusing the blogosphere, it seems to me that all too often the vinyl junkies of the world overlook the long-player to make room for the funkiest of 45's. And don't get me wrong, I enjoy a succinct slice of funk as much as the next guy, but sometimes there exists a groove that needs to be stretched out. Trunk of F.U.N.K. vol 004, A Mind Wandering, was inspired by such grooves, and, for the most part, encompasses tracks that couldn't fit onto a single side of 7 inches of wax (a couple of shorter tracks were included simply because they fit the mood I've been searching for lately).

The mix starts off with a jazz-funk track from pianist Les McCann that slinks along in a cool electric groove. Hip hop heads will notice classic samples taken from this track by the likes of MC Shan and Pete Rock. The mix then moves to a heavy brazilian number from Airto, showcasing a standout performance from the percussion tag team of Airto and Flora Purim. Larry Young's Fuel then provides us with another slice of funk that is heavy on the electric keys, as well as a solid break to start the song off. A few weeks ago I mentioned that Ramsey Lewis would certainly show up here many times. I wasn't kidding, as this week's mix moves from the work of Larry Young to smoking electric piano work from Ramsey Lewis. This track is a personal favorite of mine due to the way it starts off with an amazingly heavy groove, which seems to totally fall apart in the middle and then come back together at the end. Next up A Wandering Mind keeps the soul-jazz feel with a song from funk powerhouse, Cymande. This group is no stranger to beatheads and vinyl junkies, but this track in particular seems to get less coverage than some of their more classic material, which seems crazy after hearing that great vamping flute line. Curtis Mayfield then gives us a break from all things jazz with a serious funk bomb. The title of this one is perfect, and begs the question, with a groove that funky does anything really need to be said? From there the soul-jazz re-emerges with one of the shorter tracks in this set. Highlighted previously on this site for their roles as members of the Ramsey Lewis Trio, The Young-Holt Unlimited use this track to prove that they can get bodies moving on the dancefloor without the assistance of Ramsey on the keys. And what would a laid-back jazz-funk mix be without some smoking organ work? To close things out A Wandering Mind presents back to back organ groovers. First up is a number from Jimmy McGriff taken from an album sub-labeled, The Super Funk Collection, which for anyone who's heard it is a more than accurate description. I can safely say that while this is the first track from this record presented here, it won't be the last. Finally, the mix wraps up with an organ groover from Lou Donaldson. An organ groover from Lou Donaldson, you say? But he's a sax player! Certainly that's the case, but here we have a track credited to a young Lonnie Smith, who is featured prominently on the organ throughout the entire number. So, without further ado, Trunk of F.U.N.K. presents...

Trunk of F.U.N.K. vol. 004 - A Mind Wandering

Tracklist

Title - Artist - Album - Label

1. The Harlem Buck Dance Strut - Les McCann - Layers - Atlantic
2. Finger (El Rada) - Airto - Fingers - CTI
3. Sticky Wicket - Larry Young's Fuel - Spaceball - Arista
4. Kufanya Mapenzi - Ramsey Lewis - Funky Serenity - Columbia
5. Rickshaw - Cymande - Cymande - Janus
6. Can't Say Nothin' - Curtis Mayfield - Back to the World - Curtom
7. Who's Making Love - Young-Holt Unlimited - Soulful Strut - Brunswick
8. Dig It On - Jimmy McGriff - If You're Ready Come Go With Me - Groove Merchant
9. Peepin' - Lou Donaldson - Mr. Shing-a-ling - Blue Note

P.S. The next installment of Trunk of F.U.N.K. radio won't be brought to you by your's truly. Instead, a real heavy hitter will be gracing our airwaves with the inaugural mix of the Trunk of F.U.N.K. guest mix series (sorry, I'm not going to spoil the surprise, you'll have to check back to find out who it is).

Funk Inc. - Bowlegs - Prestige

Trunk of F.U.N.K. singles is back again this week with the first of what I expect to be many jazz funk sides to be presented here.

Bowlege -Funk Inc. - Prestige



Ohio-native Bobby Watley began performing as a drummer at the age of 15. Later, while working alongside a variety of organists, including Winston Walls, Manuel Riggins, and Lonnie Smith, he made the decision to switch to the organ himself. Mostly teaching himself to play, he has also acknowledge insight from acclaimed players such as Brother Jack McDuff. In 1969, after a request by the owner of the Indianapolis club Surf Side Seven for a house band to back vocalists, he pulled together guitarist Steve Weekley, tenor saxophonist Eugene Barr, conga player Cecil Hunt, and former James Brown drummer Jimmy Munford, who collectively came to be known as Funk Inc. During their work at Surf Side Seven, Funk Inc. caught the attention of Jack McDuff and Houston Person. Here's where a couple of conflicting stories begin to emerge. Some references indicate that the band sent a demo recording to Bob Porter, a producer at Prestige, with a letter of recommendation from McDuff, while a different story indicates that McDuff and Person passed word on to Porter directly (if anyone out there has a more definitive answer, I'd certainly appreciate more accurate information). Regardless of how they got there, Funk Inc. was soon signed to Jazz-Funk powerhouse Prestige Records. Today's selection, "Bowlegs", is taken from Funk Inc.'s first LP for Prestige, "Funk Inc.", which is the only Funk Inc. record produced by Bob Porter. The band recorded two more 'acid-jazz' LPs for Prestige, "Chicken Lickin'" and "Hangin' Out", before trying to move to slicker production in the mid-70's. The pressure and disagreement of reinventing the sound of the group proved to be too much as Funk Inc. disbanded in 1976. In 1995, Funk Inc. reassembled to begin recording for Prestige again, resulting in the release of the album, "Urban Renewal".

P.S. If you dig this side and can't get enough of Funk Inc., the fine people at Fantasy records have done a bang-up job re-issuing "Funk Inc.", "Chicken Lickin'", and, "Hangin' Out" on CD and LP.