Stop Sneaking Around - Brenda and the Tabulations

Well, hello again regular visitors. It's been quite some time since I last posted anything, but don't worry, now that things are back in order at the Trunk of F.U.N.K. compound, I should be at this on the regular again for at least the next few months. All aspects of my life, both personal and work-related, have been beyond hectic lately. In particular, my hard drive failed a little over a week ago, leaving me without a home computer for a bit and making it impossible to put anything up here. Luckily, nothing of significance was lost with the untimely demise of the hard drive, as I've learned my lesson in the past. This unfortunate event, mind you, was coupled with 80+ hour work weeks that made it even less possible to put anything up here. Taken together with some major personal life events that I'm not going to get into here, things have been pretty poor lately. Luckily, last weekend was a long holiday here in the states, so I got to head down to Chicago to see some family and friends that have been sorely missed (as well as getting in some great digging at a new spot and a pretty alright set at a party on Saturday night).

So, to get things back in working order around here, I figured I'd send out a good bit of sister soul from the city of brotherly love...

Stop Sneaking Around - Brenda and the Tabulations - Top and Bottom



A fluke of quite serendipitous sorts is the easiest way to describe the early incarnation of Brenda and the Tabulations. During the summer of 1966, two teenagers, Brenda Payton and Maurice Coates, were working a summer job at a children's park. They decided it would be fun to practice a few popular numbers that they could peform for the kids at work one day. Luckily for them, as they were performing the newly learned numbers, the wife of a prominent Philly radio jock and owner of a couple of Philly record labels, Gilda Woods, drove past and liked what she heard. She approached the duo and asked if they had any original material, to which Coates responded that they did, prompting the duo to put together the future hit, Dry Your Eyes, at the ripe old age of 15 or 16. The original incarnation of the group (featured in today's selection) assembled for this recording consisted of Brenda Payton as the lead with Eddie Jackson, Maurice Coates, and Jerry Jones providing backing harmony vocals. This group lasted until 1971, at which point the guys parted ways with Payton. Payton didn't call it quits, however, chosing to be replace the men with the female backing vocalists Pat Mercer and Deborah Martin. During the decade-long existence of Brenda and the Tabulations, three albums and a number of singles were recorded for the labels Dionn and Top & Bottom, both of which were run by Gilda Woods. Today's selection was written by Maurice Coates and Brenda Payton, with arrangements prepared by Sam Reed.

I should also mention that a few months back, I posted a single from a Philly group, The Broad Street Gang, despite having little/no information on the group. A few weeks back, the brother of the bass player sent me an e-mail with the following information: The bass player on this particular track is my brother "James Alexander Fox" (a stage name). Chester Greere, Mitch AKA Mitchell Rowe, and the brother of the bass player were present during recording of several of the tracks for the LP.

Additionally, I've heard a bit of speculation on the group Lunar Funk, who were featured here previously with the single Mr. Penguin. A friend Paul from Detriot area sent me an e-mail that Lunar Funk may have actually been the band The Fabulous Counts, covered exhaustively previously by our friend Larry from Funky16Corners.

Enjoy the week, and rest assured that a new mix will be posted for your listening pleasure this Friday.

I've Been Turned On - Jo Armstead

I put up this post last Friday, and for some strange reason it was gone today, so I'm going to put it back up and see what happens.




Today we have a little switcheroo from the normal schedule here at Trunk of F.U.N.K. Unfortunately, the real world often gets in the way of one's hobbies, so instead of a delivering a new mix today, I've decided to leave you with a single that will hopefully hold you over until a new mix is dropped by sometime early next week.

I've Been Turned On - Jo Armstead - Giant



Jo Armstead formed Giant Records with her husband Mel Collins shortly after moving to Chicago in 1965. However, she had already maintained a solid music career prior to this point. Jo (a.k.a. Joshie) got her start in the music business as an Ikette for the Ike and Tina Turner Revue in 1961, during which time this group recorded their top 20 single, I'm Blue (The Gong Gong Song). She later moved to New York, where she teamed up with songwriters Ashford and Simpson who were working for Scepter/Wand Records at the time. Her work with Ashford and Simpson resulted in the release of her biggest hit, Stone Cold Lover, as well as co-writing credits for Ray Charles', Lets Get Stoned, Ruby Andrews', Casanova (Your Playing Days are Over), and Garland Green's, Jealous Kind of Fella, to name a few. Aside from forming Giant Records, the husband-wife duo is also responsible for the Globe and Gamma Record labels, which were home to a number of big names in soul.

Baby, Do Right By Me

For your listening pleasure, I've assembled a mix featuring some of my all-time favorite soul sister sides. The mix starts off with a heavy soul number from Roberta Flack, taken from her 1970 album, Chapter Two. Aside from her stunning voice, this album strongly benefits from arrangement and production work by a number of heavy hitters, including King Curtis, Deodato, and Eugene McDaniels (who is also credited with writing this particular track). Next up is a track from Marva Whitney that has been a personal favorite of mine for a long time, as her LP, It's My Thing, is one of my earliest soul sister purchases (this track was released as both a single and on the LP, It's My Thing. This is the LP version, as I've never been able to get my hands on the single). Jean Knight, most well-known for song, Mr. Big Stuff, then follows up with a recent acquisition that is seriously funky and was the inspriration for the title of today's mix. The Sister and Brothers then provide another few minutes of funky madness (thanks for the hot tip, Pres) that has also recently made an appearance in a FuFu stew creation from Vincent the Soul Chef. From there, the mix moves to a pair of funky classics from Jeannie Reynolds and Betty Wright that don't need a whole lot of introduction, followed by a great piece of Motown sound from Honey Cone, that was penned by none other than General Johnson (I can assure you that this name will pop up here in the future). Ike and Tina Turner then turn out the quintessential funky sister side, a side that easily falls within my all-time top ten, that's an insanely heavy adaptation of Sly and the Family Stone's, Sing a Simple Song. To start rounding things out, Inez and Charlie Foxx bring things back to the soulful end of the spectrum, and Bobbi Humprey serves up a nice slice of jazzy funk from her days working with producer George Butler (pre-Larry Mizell) to finish out the mix.


Baby, Do Right By Me - Trunk of F.U.N.K. vol. 007

Tracklist

Song - Artist - Label

Roberta Flack – Reverend Lee – Atlantic
Marva Whitney – Get Out of My Life – King
Jean Knight – Jesse Joe (You Got to Go) – Dial
The Sister and Brothers – Yeah, You Right – Uni
Jeannie Reynolds – The Phones Been Jumping All Day – Casablanca
Betty Wright – Clean Up Woman - Alston
Honey Cone – Stick Up – Hot Wax
Ike and Tina Turner – Bold Soul Sister – Blue Thumb
Inez and Charlie Foxx – (1-2-3-4-5-6-7) Count the Days – Dynamo
Bobbi Humphrey – Smiling Faces Sometimes* – Blue Note

*R.I.P. Norman Whitfield. When I put this mix and post together last week it was prior to finding out about his passing. When I looked over this post last night before posting it, I had totally overlooked the fact that the mix closed out with Bobbi Humprhey's cover of Norman Whitfield's classic, Smiling Faces Sometimes (originally recorded by The Temptations). This is really an unfortunate coincidence, but nonetheless an appropriate tribute to one of the all-time great soul songwriters.